By Shirley Samuels
Chapter 1 nationwide Narrative and the matter of yank Nationhood (pages 7–19): J. Gerald Kennedy
Chapter 2 Fiction and Democracy (pages 20–30): Paul Downes
Chapter three Democratic Fictions (pages 31–39): Sandra M. Gustafson
Chapter four Engendering American Fictions (pages 40–51): Martha J. Cutter and Caroline F. Levander
Chapter five Race and Ethnicity (pages 52–63): Robert S. Levine
Chapter 6 classification (pages 64–74): Philip Gould
Chapter 7 Sexualities (pages 75–86): Valerie Rohy
Chapter eight faith (pages 87–96): Paul Gutjahr
Chapter nine schooling and Polemic (pages 97–107): Stephanie Foote
Chapter 10 Marriage and agreement (pages 108–118): Naomi Morgenstern
Chapter eleven Transatlantic Ventures (pages 119–130): Wil Verhoeven and Stephen Shapiro
Chapter 12 different Languages, different Americas (pages 131–144): Kirsten Silva Gruesz
Chapter thirteen Literary Histories (pages 147–157): Michael Drexler and Ed White
Chapter 14 Breeding and interpreting: Chesterfieldian Civility within the Early Republic (pages 158–167): Christopher Lukasik
Chapter 15 the yankee Gothic (pages 168–178): Marianne Noble
Chapter sixteen Sensational Fiction (pages 179–190): Shelley Streeby
Chapter 17 Melodrama and American Fiction (pages 191–203): Lori Merish
Chapter 18 gentle limitations: Passing and different “Crossings” in Fictionalized Slave Narratives (pages 204–215): Cherene Sherrard?Johnson
Chapter 19 medical professionals, our bodies, and Fiction (pages 216–227): Stephanie P. Browner
Chapter 20 legislations and the yankee Novel (pages 228–238): Laura H. Korobkin
Chapter 21 hard work and Fiction (pages 239–248): Cindy Weinstein
Chapter 22 phrases for kids (pages 249–261): Carol J. Singley
Chapter 23 Dime Novels (pages 262–273): Colin T. Ramsey and Kathryn Zabelle Derounian?Stodola
Chapter 24 Reform and Antebellum Fiction (pages 274–284): Chris Castiglia
Chapter 25 the matter of town (pages 287–300): Heather Roberts
Chapter 26 New Landscapes (pages 301–313): Timothy Sweet
Chapter 27 The Gothic Meets Sensation: Charles Brockden Brown, Edgar Allan Poe, George Lippard, and E. D. E. N. Southworth (pages 314–329): Dana Luciano
Chapter 28 Retold Legends: Washington Irving, James Kirke Paulding, and John Pendleton Kennedy (pages 330–341): Philip Barnard
Chapter 29 Captivity and Freedom: Ann Eliza Bleecker, Harriet Prescott Spofford, and Washington Irving's “Rip Van Winkle” (pages 342–352): Eric Gary Anderson
Chapter 30 New England stories: Catharine Sedgwick, Catherine Brown, and the Dislocations of Indian Land (pages 353–364): Bethany Schneider
Chapter 31 Harriet Beecher Stowe, Caroline Lee Hentz, Herman Melville, and American Racialist Exceptionalism (pages 365–377): Katherine Adams
Chapter 32 Fictions of the South: Southern snap shots of Slavery (pages 378–387): Nancy Buffington
Chapter 33 The West (pages 388–399): Edward Watts
Chapter 34 The previous Southwest: Mike Fink, Augustus Baldwin Longstreet, Johnson Jones Hooper, and George Washington Harris (pages 400–410): David Rachels
Chapter 35 James Fenimore Cooper and the discovery of the yank Novel (pages 411–424): Wayne Franklin
Chapter 36 the ocean: Herman Melville and Moby?Dick (pages 425–433): Stephanie A. Smith
Chapter 37 nationwide Narrative and nationwide heritage (pages 434–444): Russ Castronovo
Read or Download A Companion to American Fiction 1780-1865 PDF
Best american literature books
Wellington Redburn is a fifteen-year-old from the kingdom of recent York, with just one dream - to run away to sea. besides the fact that, while he does fulfil this long-held myth, he fast reveals that fact as a cabin boy is much harsher than he ever imagined. Mocked by way of the staff on board the Highlander for his weak point and bullied via the vicious and cruel sailor Jackson, Wellington needs to fight to undergo the lengthy trip from big apple to Liverpool.
A good source for students of Melville and for undergraduates and graduate scholars - ''Choice''. ''Critical significant other to Herman Melville'' examines the lifestyles and paintings of a author who spent a lot of his occupation in obscurity. Herman Melville has on the grounds that turn into referred to as considered one of America's maximum novelists, brief tale writers, and poets.
Lengthy Mountain is the site of the author's log apartment, the place she used to be encouraged to write down a number of the poems during this assortment. The poems are the observations, reflections and questions of a lady who has handed 50 - a signpost to a metaphorical lengthy mountain.
"This is a well-organized, gracefully written account of an important element of Southern fiction, and it includes info and incisive observation that you will see that nowhere else. " --Thomas Daniel YoungMany southern writers imagined the South as a certified dream of Arcady. They retained the glow of the golden land as a tool to reveal or rebuke, to confront or get away the complexities of the particular instances within which they lived.
Additional info for A Companion to American Fiction 1780-1865
Albany: State University of New York Press. (First publ. ) Cre`vecœur, J. Hector St. John de (1981). Letters from an American Farmer, ed. Albert E. Stone. New York: Penguin. (First publ. ) Grimes, William (1999). Life of William Grimes, the Runaway Slave (first publ. 1825). In I Was Born a Slave: An Anthology of Classic Slave Narratives, ed. Yuval Taylor. Chicago: Lawrence Hill. Hawthorne, Nathaniel (1982). Tales and Sketches, ed. Roy Harvey Pearce. New York: Library of America. Hedges, William L.
1 The links Sade sets up between radical republicanism and a radical rethinking of the relationshp between kinship and the associations set up by democratic citizenship are precisely those which threaten the world of The Power of Sympathy in the form of Harrington and Harriot’s love. De Sade’s provocation reminds us that the political revolutions of the late eighteenth century often proceeded by encouraging individuals to break with generational, familial, or blood-based models of deference or obligation.
Even the new type of heroine portrayed in such novels as Samuel Richardson’s Pamela elicited traditional prejudices when the maid-turned-gentry wife was widely criticized for manipulating her husband into marrying her. Beginning in the 1820s – the decade of suffrage expansion, the framing of more inclusively representative state constitutions, Andrew Jackson’s presidency, and the rise of the Democrats as the first modern political party – James Fenimore Cooper created the first monumental American hero in the Leatherstocking tales, a series of five novels (1823–41) featuring the illiterate frontiersman Natty Bumppo.